• Addresses 2020

Speakers during 2020

Every month, Probus Perth invites a speaker to address members on his or her particular field of expertise or endeavour. Below are summaries of talks given recently.



Judy Joukador (Probus Perth Member), November 2020

Judy, with her background of teaching overseas and as head of English in several of Perth’s private high schools, gave a detailed summary about her involvement since retirement with the daunting matter of elder abuse, its manifestations and some strategies and resources to help combat it. She advocates bringing this “hidden shame” into the open.

The Purple Road is a rallying point. One in six seniors experience one or more forms of elder abuse. Abuses may take the form of financial abuse (e.g., suspicious or unexplained transfers), which is estimated to be suffered by about 34% of abuse victims; emotional/ psychological (e.g., verbal threats, by 32%), social (e.g., enforced social isolation, by 13%), physical (e.g., restraint, bruising, by 10% of victims) and sexual. This prevalence and pattern are similar in westernised countries. The abuser is commonly a family member. The process often begins in a small way, commonly a slippery slope. It is believed that only one in ~24 cases is reported.

There are various strategies to assist sufferers. Keeping up one’s support network helps combat ageism by being heard and respected.

A definitive report by the Western Australian Government’s Select Committee into Elder Abuse, ‘I Never Thought It Would Happen To Me’, https://parliament.wa.gov.au/Parliament/commit.nsf/(Report+Lookup+by+Com+ID)/5D4DB8F8EB0A444848258307000F6874/$file/el.eld.180830.rpf.000.xx.web.pdf, was released in 2018. The Royal Commission into Aged Care has also thrown the problem into prominence. The deadline for responses to the Commission, https://agedcare.royalcommission.gov.au/), will close on the 12 November 2020.

The elderly have rights. The important ones are to be seen, to be heard and to be respected. If you or one of your support group is uncertain of his or her rights, it is important that you access the correct information. To discuss, contact OPRS, “Older People’s Rights Services”, which is funded by the Department of Communities and is under the auspice of the Northern Suburbs Community Legal Centre. Northern Suburbs Community Legal Centre can be contacted via this link https://www.nsclegal.org.au/contact , their phone number is 9440 1663 and their Facebook page is https://www.facebook.com/NorthernSuburbsCommunityLegalCentre/. The video “Purple Road” is available at https://www.youtube.com/watch?v=J9KXgf8nZiM

Judy displayed a 3m length of “Purple Road” tapestry, one of a number being made in Perth.


Ned Overton



David Archibald, October 2020

David commenced his address with the attention-grabbing statement, “Humans were not meant to have cancer”. He then went on to develop the thesis that in the evolutionary process, animal life developed from plants, and attempted to demonstrate, through a rather technical presentation, that our molecular structures are similar. This lead to the further understanding that cancers are generally caused through our diet. This being so, cancer prevention and treatment are better served through greater use of natural foods. He used comparisons of cancer rates (particularly breast and prostate cancers) between North American and Australian populations with those of many South American and Asian countries and concluded that, “Asians keep prostrate and breast cancers under control through diet”. He argued that current treatments for cancer such as chemotherapy and radiation tend to further harm the body and the treatments would be better served by plant or plant extract consumption.

His presentation concluded with the provision of a list of useful anticancer plants that can be grown in a garden. Much of the material presented can be found on the web site, http://www.anticancergardenaustralia.com, or in David’s book, The Anticancer Garden of Australia.

David Heath



Karren McMahon, September 2020

Karren told us some stories about her father, John “Caca Jack” McMahon, which are elaborated in her book on his life (below). John was many things, but especially he was an untameable man of the sea, with no greater passion than to go fishing.

Although John had a hard life, he had much freedom as a child in Perth, being rather rebellious. Games were played with anything at hand. One favourite game was to race canoes down a formed drain through a Chinese market garden, pinching fruit along the way. Another was to raid “Sammy’s yard”, taking something at hand along the way.

John began his working life, aged 17, as a cray fishermen at Kangaroo Point, near Cervantes. It was a remote location in the 1950s, with no electricity or water and primitive housing. Incomes were low, and desperate times led to stealing milk from front doorsteps and siphoning petrol from neighbours’ cars. At age 19 he married a young woman he had met in Perth during the off-season.

Eventually, John was able to buy a professional fishing boat, which he used around Cervantes for crayfishing and line fishing as well. He often fished alone. At one point, a serious fire on his boat caused him to abandon ship, donning a life vest that allowed him only to float on his back; this entailed difficulties getting clear of the burning boat. He kept fishing, but developed Parkinson’s disease over time. This condition caused him great problems during one voyage in a small boat. After a fair day’s fishing, he had trouble starting the motor. Investigating the problem caused him to become tightly wedged in the back of the boat, under the engine, with the anchor line wrapped around the propeller wedging him tighter.

John’s obsession almost cost him his life on many occasions, yet it fed his determination to try and outsmart the unpredictability of the Indian Ocean. Between many encounters with the law, narrow life escapes, unexpected emotional challenges and living life hard, there was little time to relax. He lost his fishing licence, presumably found with under-sized crays. He then turned to line fishing, living at Mullaloo.

Fishing subsequently became a family affair, with John’s son now the boat owner at Cervantes and his grandson also involved in crayfishing.

Karren’s book is “The 7 Footer Crays ‘n’ Crazy Tales, The Life Story of John McMahon a.k.a ‘Caca Jack’ (‘caca’ is slang for an undersized crayfish). The “7 Footer” of the title was his best fishing spot. John died in September 2011, his Parkinson’s believed to have been exacerbated by his perpetual expenditure of nervous energy. Karren has written another book, a children’s story for her daughter Stella. Both were offered for sale.

Lloyd Berrey commended Karren’s tale and presented the customary gift.

                                                                                                      Ned Overton




Alex Campbell AM, August 2020

Alex Campbell gave an interesting and entertaining about various advances in farming in Australia since the 1840s, with particular reference to his agricultural experiences, many of them here in the West.

Drought has been an inescapable feature of Australia’s climate. Memorable droughts included that of the 1840s, just as Australia began to feed itself, wholly free of imports. The “Federation drought” (1900s) caused huge stock losses. A feature of the 1935–42 drought, just as Australia was emerging from the depression, was the evolution of blowflies to become a notable pest for sheep. Alex is sceptical that “climate change” is having significant impact on the frequency and/or intensity of droughts, rainfall and other weather, all of which continue to be highly variable.

Wool in the 1840s began in Australia from 26 breeds of sheep; merinos were possessed only by pioneer James Macarthur and little-known Eliza Furlong. But sheep breeding flourished and became very important for Australia’s prosperity. In the heyday of wool (1950s), the income from two bales could buy a Holden ute; it took 20 bales to buy the final model.

Dry land salinity has been a perpetual problem, caused by several factors: the salt (sodium chloride) content of rainwater; low rainfall due to Australia’s location in the doldrums; and the great age of the (Western) Australia’s ancient landscape (the Yilgarn), which is also flat rather than undulating.

Alex is one of many farmers looking for a profitable way to rectify the damage caused. Various trials – of lucerne, no-till farming, contour banks and re-establishing saltbush to feed sheep – have all contributed to a rough doubling of the area of Australia’s arable land since these measures began to be adopted.

Alex considers himself to belong to the last generation of farmers to reap the rewards of land-clearing and the first generation to devote itself seriously to land care.

He offered for sale his book, “Of Sheep and Other Things; a farming odyssey of the Campbells in Australia 1846–2013” (self-published, 2017), from which his talk was abstracted.

Ned Overton



Mike Donaldson July 2020

Dr Mike Donaldson, a world authority on Aboriginal rock art and author of six books on it, spoke specifically about Western Australia’s rock art, chiefly of the Kimberley and Pilbara; he illustrated his talk with many excellent slides.

Rock art covers a wide range of markings on rock, from ochre paintings to charcoal drawings to petroglyphs, but excluding ceremonial grooves, etc. Aboriginal art is represented in about 20 regions throughout Australia, each region showing a notably different style. Aboriginal art is particularly well preserved in the Kimberley basin, which comprises large areas of very old, horizontally-bedded sedimentary strata; these commonly provide flat surfaces. Critically, much art was executed in caves, where minimal rain damage and bleaching has mostly led to its excellent preservation. This body of work is comparable in artistic achievement to older European Palaeolithic art. Though well documented, WA’s rock art is not as well promoted or signposted as Europe’s major rock art sites are, due partly to Aboriginal cultural beliefs.

A number of stages of rock art have been recognised in the Kimberley, chiefly the distinctive Gwion (‘Bradshaw’; 12–18,000 years old) figures, delicately drawn, and the more familiar ‘Wandjina’ (~4000 years old) characters, with large staring eyes, haloes, and lacking mouths. Aborigines believe the Wandjinas are not paintings but remnants of beings (?) which entered the rocks. Though fairly well documented, many of the Kimberley art sites are difficult to access because of their remoteness.

The best-represented style of the Pilbara’s rock art is petroglyphic. Over a million examples are found on the Burrup Peninsula, near Dampier, covering a wide range of animal, human and superhuman subjects. Now, 95% of these petroglyphs are under reserve and protected by law.

Go to http://www.wildrocks.com.au/ to see the range of Mike’s self-published books. At the end of his talk, after being thanked by Kevin, Mike kindly donated to us a slide screen much larger than our present one, previously the property of the Kimberley Society.

Ned Overton



Carmel Charlton, March 2020

Carmel Charlton, a local singer, songwriter and musician, gave a presentation, accompanied by poems, songs and her guitar. Her tale is based upon a personal letter written by Ned Moriarty (born 1894) of the 10th Regiment, Australian Light Horse, to his sister Alice from the deserts of Palestine in September 1918, just before the end of World War I; Ned was a relative of Carmel’s husband. The 10th Regiment, about 500 men, were part of the 3rd Brigade of the Australian Light Horse, commanded by Lt.-General Henry Chauvel. ‘Banjo’ Paterson was at that time a remount officer with the brigade, being then too old to enlist in active service.

The men of the Australian Light Horse brought about 50,000 horses to the Near East during the war. They trained with swords to retain their flexibility as armed cavalry, overcoming their need to dismount to fight. Their most famous military action, as part of General Allenby’s army, was to by-pass many of the Turkish forces occupying Palestine to capture Damascus.

Remaining camouflaged for some time at Ludd (now Lod, near Tel Aviv), they travelled north-east across country, clear of the enemy lines, slightly ahead of the rest of the army, in October 1918. En route, they engaged several enemy groups of Turks in fights ranging from skirmishes to full battles. These included at Nablus; at Megiddo; at Jenin, where the brigade took 8000 Turks prisoner, together with five guns; and at Barida Gorge, which ended piled high with bodies both human and animal.

The brigade’s journey, which over twelve days took them about 300 km (straight-line distance 225km) through Nazareth, Tiberias (near the Sea of Galilee), ended with the Governor of Damascus surrendering to a small ALH contingent, led by Major Olden, a dentist from Narrogin, just prior to the Arabs’ King Feisal entering that city. Carmel sang several poems written by the ALH horsemen about the battles in which they had fought.

At the end of the war, Ned sadly learnt that his brother Frank had died of wounds while fighting in France the previous August. None of the brigades’ horses were allowed to return to Australia after the war’s end. Some were sold to the British or Indian Armies, but many were shot by their owners, who feared the animals would likely suffer if left to their fate in the war-torn region. Ned Moriarty died prematurely, aged a mere 51.

The stirring story of the 1918 battles, part of the Australian Light Horse campaign in Palestine and one of the greatest cavalry feats ever, was told in great detail by Henry Gullet in ‘The Australian Imperial Force in Sinai and Palestine, 1914–18’ (Angus & Robertson, Sydney, 1937).

Anton Reigger presented Carmel with a small gift as a token of the club’s appreciation of her presentation.

Ned Overton



Kary Miller, February 2020

Before introducing Kary Murray to talk to members about “What it meant to be an Octogenarian”, Ray Purdy explained that initially the talk was to be “What makes a good Retirement Village”. As a resident of Ocean Gardens Retirement Village Ray stated that –

  • Most important was to be happy to call the Village home. Home being where you are free to come and go as you please and also free to have your friends and relatives visit and enjoy the Village facilities with you;
  • It was important for the Village to have a strong Residents Committee with a good relationship with the Village Management;
  • It was also much preferable to have a “not for profit” Village so that you could be sure any financial gains were reinvested in the Village.

Kary Murray, a trained nurse and qualified midwife with a degree in Business Management, was well suited to her role as Business Manager for Ocean Gardens Retirement Village. She gave an interesting and sobering picture of how the Australian population was aging and living longer. Baby boomers and those 75 plus Australians becoming octogenarians meant that care must be carried out “at home” rather than “aged care facilities”. Hence the need for Retirement Villages to be recognised as “your home”. Government supported care would be means tested and more efficiently managed by Villages with care capability. Kary’s view was that by the year 2050 there would be 3.5 million Australians receiving some level of government care support and that 85% of this support would be carried out in your home.

Kary was able to answer the many questions that came from an audience with many who were already octogenarians and the rest whose ambitions were to one day become octogenarians. Questions mainly revolved around what support was available and how it was to be managed.

John Taylor lightened up the mood by telling his story of the octogenarian looking at himself in the mirror and bemoaning the fact that he was bald, wrinkled, stooped and really showing his age. When he asked his wife to give him some news to brighten his day, his wife said “at least there is nothing wrong with your eye sight.

Bob Dewar gave a vote of thanks to Kary on behalf of members and presented her with a bottle of wine. Kary accepted the thanks but donated the wine back to the Club.

Ray Purdy

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